Adult Entry: £11 Nearest Tube: Victoria (District, Circle, and Victoria lines)
If asked to name some of the great British collections of antiquities and art, you would probably start with the well-known national museums. What you probably wouldn’t start with, or indeed mention at all, is the Royal Collection. That’s right, the Queen has quite a collection of art and antiquities- she even has her own gallery. In fact, the Royal Collection includes some surprisingly famous pieces, for example the Crouching Aphrodite (Lely’s Venus); a star piece at the British Museum. Continue reading →
Adult Entry: £18.50 Nearest Tube: Blackfriars, District & Circle Lines
It is very difficult to review the exhibition of an artist that you love. There is constant temptation to wax lyrical about the art itself rather than the exhibition, making an interesting essay but a poor review. I have tried to ignore the Giacometti’s ability to contain such potential energy with his static figures, or comment on the unrefined emotion straining from every angle of those unbearably human faces. Putting my (admittedly first-world) struggles to one side, imagine how high I set my expectations upon hearing of this Giacometti blockbuster exhibition at the Tate Modern. Continue reading →
The title of this exhibition, ‘Every Objects Tells A Story’, hangs somewhere between pretentious and redundant, and is all the more disappointing because of how good everything else about it is. That dealt with, I can begin my praise of this uniquely presented exhibition.
Adult Entry: Free Nearest Tube: Bank, Central Line
When I decided to visit the Guildhall Art Gallery on one overcast Sunday afternoon, I was expecting to find an enjoyable collection of renaissance views of the city skyline. What I was not expecting to discover was the site of a major Roman era London (Londinium back then) landmark. Continue reading →
Adult Entry: Free Nearest Tube: Pimlico, Victoria Line
Most conversations about the Tate Britain start with a 5 minute digression about where it is, what it is, and whether or not it’s the one with the giant empty room. This is not great advertising for a national art gallery.
I decided to visit the Tate Britain for one main reason: I remembered that it existed. Usually, I wouldn’t admit to that. But it raises an interesting point about famous names, and how they can often do more harm than good.
Everyone knows about the Museum of London, but the Museum of London Docklands anyone? No? How about the V&A? Easy. But the V&A Museum of Childhood? Suddenly, not so popular.
These big names are keen to spread their plumage and take subsidiaries under their wing; failing to see that this leaves their prodigies deep in the shade. Maybe we should start questioning whether they would stand better alone? Continue reading →